Miranda July

Miranda July is an American artist who makes films and installations. Some of you may have seen her film ME AND YOU AND EVERYONE WE KNOW on SBS.
She makes very quirky work, that usually has a way of connecting with people at a very personal level.
Do visit her website - its great!

I've included this video here - as I think its an interesting way to think about interactivity - as a way of having a 'conversation' with people via an inner dialogue, that the artist has written for you: its open ended enough for you to insert your self into…

This has similarities to the way the Feldenkrais lessons are presented too - the questions are open enough, but also very personal - and they elicit powerful questions and value-laden processes, but in a very simple way.

Its also very lo-tech - which is all the rage these days - and it could be interesting to explore how you could incorporate these approaches into your wearable concepts, combing lo and hi tech etc, personal/impersonal etc.

The Hallway from The Hallway on Vimeo.

Interesting blog: walkinginplace.org

"...sense of place can be seen as a commonplace occurrence, as an ordinary way of engaging one's surroundings and finding them significant. Albert Camus may have said it best. "Sense of place," he wrote, "is not just something that people know and feel, it is something people do". And that realization brings the whole idea rather firmly down to earth, which is plainly, I think, where a sense of place belongs." – Keith Basso

Visit the blog here

The Art of Walking: Richard Long

British artist Richard Long graduated from St. Martin's Academy in the late 60's and was a pioneer in the new wave of British Sculpture in the late 70's and early 80's - that included Tony Cragg, Antony Gormley, David Mach, Anish Kapoor, and Andy Goldsworthy to name a few (not many well-known women artists from this period!).

His practice centres on walking: he uses text, photography, and paintings and sculptural assemblages made from found materials - to produce works that evoke questions and experiences of place, situation and attention, often involving 'durational' processes (i.e. walks) that can take several days or even weeks to complete. Like the ephemeral, pain-stakingly contructed works of Andy Goldsworthy - his works remind (and perhaps even inspire) people of a different way of being in the world - a way of intense and sustained attention to, and quiet engagement with the world around us. That fact that he has undertaken these works in nearly every continent on Earth - also brings to mind a concept of Earth as a place - and what it means to be a witness to these diverse places and quiet, otherwise unobserved processes: water evaporating on stones in the Andes, a line walked in grassland, stones piled allong a pathway, lines made by walking…

Part of what makes these works so compelling (like other types of performance) is the sheer discipline and physical presecne and commitment, implied by the processes required to produce the work: the time, concetration, and quality of attention - they show us what is possible for a human to do, and to hold in mind.

Here is a selection of images collected from the net:

Matt Roberts "Every Step" (2008)

Every Step from Matt Roberts on Vimeo.

Here's an interesting walking-related project that combines a pedometer (step-sensor) with a camera, to create visual documents of walks, from an unusual point of view (POV). It could provide a way to appreciate and reflect on our surrounds in greater detail and depth. This makes me think you could also explore different narratives and commentaries applied to these images as a slide show, or interactive map, play back afterwards.

Every Step allows a participant to create a short experimental animation while they walk. Each participant is given an armband with a mounted camera and pedometer. The pedometer is mounted inside the armband and is connected to the camera. The camera is mounted on the armband and points towards the sky. The pedometer acts as a trigger for the camera and an image of whatever is above the participant is taken every time a step is made.

Also reviewed on the awesome and very connected we-make-money-not-art

Central Saint Martins, Textile Futures 2011,

More interesting links from Jotta…

"10 years ago, when Carole Collet set up Textile Futures at Central Saint Martins, she envisioned a new agenda for textile design. Since then the course has become internationally recognised, Collet and her team have formed a new discipline for “designers who are willing to engage with sustainable thinking, experimental design and radical doing.” We spent some time with these designers to find out more about our future textiles."

- via Mille Ross, Jotta website/blog
http://www.jotta.com/jotta/published/home/article/v2-published/1742/textile-futures-2011-10-candles